Adaptation has a pretty impressive cast, including my girl-crush Meryl Streep. Best line is when Brian Cox's writing-guru character advises the struggling screenwriter: "Don't you dare bring in a deus ex machina!"


Jury's still out on this Tarkovsky film. Lots of juicy Biblical allusions and themes, but it wasn't as visually postapocalyptically satisfying as I'd hoped. The TIFF audience was hardcore, though: for almost 3 hours, you couldn't hear a pin drop!

Every time I go to CanStage, I see something astounding and/or fascinating. Both boxes ticked with Triptyque: 



Gravity-defying athleticism, the lyricism of contemporary dance and the poetics of the imagination come together in this virtuosic triple bill from Quebec circus superstars The 7 Fingers (Cuisine & Confessions, Traces). For the first time, the innovative troupe joins forces with three internationally-renowned choreographers, weaving together a magical journey between circus and dance.

  1. Anne et Samuel – Marie Chouinard (The Garden of Earthly Delights) Following in the footsteps of Chouinard's signature work bODY_rEMIX/gOLDBERG_vARIATIONS, this duet between a dancer and hand balancer examines the relationship between gravity and moving bodies with awe-inspiring effect.
  2. Variations 9.81 – Victor Quijada (Quebec) A quintet of virtuoso hand balancers search for absolute control of gravity, testing the relationship between stillness and movement.
  3. Nocturnes – Marcos Morau (Spain) Subtly mixing circus and dance, the mesmerizing Nocturnes lures us into the space between wake and dreams where eight artists try to break free of their physical constraints.



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